In his project Terminal Mirage, Maisel intentionally obscures the function, location, scale, and condition of his subject. No title names the Great Salt Lake or its environs as his subject. His images all share exquisite abstract colorations and design. A few pictures are obviously landscapes. Others are so lacking in items that identify scale they might be images of deteriorating walls or macro photographs of laboratory dishes.

~ Anne Wilkes Tucker, When the Whole is Indecipherable